How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ...

Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

F1's sound team had unprecedented access to Formula 1 Tracks and real Grand Prix races to deliver authentic racing sounds.

When F1 sound editor Al Nelson and re-recording mixer Gary Rizzo joined director Joseph Kosinski's bold and action-packed F1, they had a few advantages working in their favor to help them tackle the ...

The two films are among those nominated for an Academy Award for achievement in sound. They both they both feature vehicles ...

Before you begin typing comments about the good old days when bad things never happened—and race cars wailed the way god intended them to—understand that we know this new clip isn't as good as ...

George Russell's Mercedes heads into the Bahrain pits (Sona Maleterova/Getty Images) SAKHIR, Bahrain — One of Formula 1’s biggest selling points has been the sensory experience. In formative racing ...

Joseph Kosinski had one instruction for the sound team behind his latest feature "F1": It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

How do you transport a movie audience to a racetrack, recreating the visceral experience of roaring engines, the ear-splitting squeal of tires on pavement and the screeching of brakes? That was the ...

Add Yahoo as a preferred source to see more of our stories on Google. The roaring engine, the downshifting of the gears, tires on gravel, and crowds chanting were all aural elements that give Joseph ...