Director Yuval Sharon’s company debut is an imaginative, expansive production headed by two top-flight singers, Lise Davidsen ...
Opera is widely considered to be a seasonal flower. Around the world opera festivals show their shoots in early spring, they blossom in the summer, and they stretch their glory into the fall. In St.
Yuval Sharon’s debut production featured an astonishing performance by the soprano Lise Davidsen. It is the event of the season.
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Review: Opera Parallèle stages engaging multimedia ‘La Belle et La Bête’
Philip Glass is an old hand at scoring films. His 1994 work with Jean Cocteau's superb "La Belle et La Bête" (1946) is the second of a Cocteau trilogy including "Orphée" and "Les Enfants Terribles." ...
3 Reviews/Photos: First Look at Wagner's TRISTAN UND ISOLDE at the Metropolitan Opera 4 Review: Davidsen, an ISOLDE for the Ages, Alongside Spyres' Splendid TRISTAN in Wagner at the Met This latest ...
Masquerade is a new immersive theater reimagining of The Phantom of the Opera---here's our review of this NYC adventure. The post MASQUERADE Review: Immersive PHANTOM OF THE OPERA Is a Quintessential ...
NORTHAMPTON — As I walked and whistled out of the Academy of Music on Nov. 9, Able Seaman Paul Peelle — still made up for the stage and dressed in stripes of white and Royal Navy blue — reminded me of ...
The Atlanta Opera’s staging of Verdi’s “Macbeth” is a riveting work of operatic theater, magnificently sung and vividly acted. This new production, which presents its remaining performances Friday and ...
This summer’s Santa Fe Opera season, which runs through Aug. 23, skews toward standard repertoire, but there were surprises within that narrow compass. Director Melly Still gave Wagner’s “Die Walküre” ...
Condensing Melville’s vast and discursive work into a three-hour opera may have seemed as foolish as Captain Ahab’s increasingly desperate voyage to find the whale that maimed him, but Heggie and ...
SARATOGA SPRINGS, N.Y. — He comes here every day, to gather wood. Axe in hand, the woodcutter (baritone Geoffrey Schmelzer) sang as much when he introduced “In A Grove” with see-sawing modulation, ...
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